![]() It seldom fails to attract and even the present students of neo-realism prefer to inaugurate their career with the villages. If the post-world war urban cities were the back drop for the emergence of Italian neo-realism, its Indian counterpart found their roots amidst the tall rushes, banana plantations and hyacinth covered ponds of rural Bengal. It holds a certain romanticism for the intellectual breed of Bengalis, with several others choosing this subject in their creations. The legendary auteurs, Satyajit Ray and Ritwick Ghatak, too have placed their cameras on the lush green fields and captured the muddy lanes on the celluloid. The authors like Bhibutibhushan Bandhopadhyay and Sarat Chandra Chattopadhyay have lived their lives in the mud houses and penned down the shabby lives into evergreen stories. ![]() The rural pastures of Bengal have always provided fodder for the artists to work their magic on.
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